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SMALL GENRES OF MEMOIR PROSE BY EFFENDI KAPIEV

Ismailova (Sutayeva) Z. R.  (Cand. of Sciences (Philology), senior researcher, Institute of Language, Literature and Art named after G. Tsadasa of Dagestan Federal Research Centre, Russian Academy of Sciences, Makhachkala)

The work of Effendi Kapiev occupies a special place in Dagestan literature. During his short life, Kapiev managed to do a lot, both in poetry and in prose. A lyricist in his worldview, Kapiev appears as a poet in his prose. There are two main directions in Kapiev’s diaries: pre-war entries and front-line entries. The self-sufficient artistic value of the diaries, especially the “Front Records”, is undoubtedly. The depiction of the war and its tragic cataclysms is reflected in the diaries in a variety of entries, distinguished by genre and thematic diversity. Thus, both memoirs of Effendi Kapiev, “Dagestan Records” and “Front-line Records,” are a reflection of life at that time both in Dagestan and even in the country as a whole.

Keywords:diaries, “Dagestan entries”, “Front-line entries”, memoirs, style, memories, genre of diaries
 

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Citation link:
Ismailova (Sutayeva) Z. R. SMALL GENRES OF MEMOIR PROSE BY EFFENDI KAPIEV // Современная наука: актуальные проблемы теории и практики. Серия: ГУМАНИТАРНЫЕ НАУКИ. -2024. -№01. -С. 118-120 DOI 10.37882/2223-2982.2024.01.10
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