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The article analyses the phenomena of intertextual poetics in the poetry of Vladimir Kucheryavkin. Poems from Kucheryavkin's poetry collection "Contemplation S" were selected as material for the study. The presence of the intertextual feature in the poems of Kucheryavkin's collection under consideration is primarily due to the fact that there is a general tendency of quoting from other poets in contemporary poetry. The article will first examine Kucheriavkin's list of quotations in his poems. He quotes not only the Oberiuts like Zabolotsky, Oleynikov, and Vaginov, but also classics of Russian and foreign literature like Pushkin, Lermontov, Tyutchev, Blok, Akhmatova, Mayakovsky, Yesenin, Mandelstam, etc. Specific intertextual poetics in Kucherjavkin's poems will also be listed. The style of Kucherjavkin's word usage will be analyzed, for example, the word "oblak", which has an archaic character and is an obvious quotation from Tyutchev. The work will emphasize the epigraphs in Kucheryavkin quoted in Lermontov ("Do I hear your voice, ringing and caressing..." - "She woke up, but she does not want to get up...", from Khlebnikov ("Until now we do not know who we are..." - "The computer's unbearable stream makes noise..."; "The spear of the Tartars touches whatever it touches...". - "The rebellious nations make noise..."), and in the Revelation of John the Theologian: "And I took the book.... and ate it." Then the article analyses the poem "A Monument. Here he stands shaking his head..." as a vivid example of intertextual poetics; works connected with the tradition of Horatian "monuments" — poems by Esenin and Mayakovsky addressed to Pushkin, as well as "Give Tyutchev a dragonfly..." by Mandelstam are considered as pre-texts.
Keywords:V.I. Kucheryavkin, Contemplation S, intertextual poetics, A.S. Pushkin, F.I. Tyutchev, V.V. Mayakovsky, S.A. Esenin, O.E. Mandelstam, monument
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